This is not an album that reaches for display. Voice and piano search instead for connection – a meditation on being and on what it means, in Robert Louis Stevenson's words, 'to know not how it is with you'. Musically, the songs reflect the uncertainty of the poetry, tilting towards the melancholic: slow metres, minor keys and the naturally dark, sometimes foreboding weight of the bass-baritone register. Around half the songs have been transposed to accommodate the lower voice, the remainder sung in their original keys.
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