Kirstin Arndt investigates the threshold of sculpture and painting at Rehbein Galerie

Possibility describes a state of the not-yet. It is not a fixed condition but a dynamic constellation of movement; a structure of potentials, forces and relations. At the moment it takes shape, possibility condenses into the decision for a particular form among a multitude of conceivable variations. Against this background, the works of Kirstin Arndt can be approached. Her artistic practice investigates material, structure as well as architectural and spatial conditions, with the idea of a form always serving as the point of departure. Through trial, error and experiment she engages with these circumstances. They do not function as fixed givens but rather as conditions through which a form can take shape. “How little line is needed for a surface to emerge?” seems to be the question underlying many of her studies and works. At the same time, this question touches on the transition between the disciplines in which Arndt studied painting and sculpture. Elements of painting –